Beijing folk art: Beijing rhyme drums
Beijing rhyme drum, by the Hebei province Cangzhou, Hejian area popular plank drum developed from the formation of the two legal institutions in Beijing. Henan wood drums into Tianjin, Beijing, Liu Bao Quan changed to Beijing's voice tone to articulate pronunciation, absorption of stone rhyme, Ma Tuo to reconcile some opera opera, create a new cavity, sing short tracks. Called Jing Yun drums And Liu Baoquan at the same time from the artists have Zhang Xiaoxuan, Bai Yunpeng.
Beijing rhyme drums in the May Fourth Movement period, had a ticket Friends Zhang Yun, who wrote some new tracks, by Bai Yunpeng, Cui Ziming and others singing. Cui Ziming a funny drums, a Beijing rhyme drums of a tribe to sing with a plate of three slow and the plate with no eye-tight plate, if necessary, interspersed with a plate of a plate, the basic tone of a flat cavity, high cavity, , Rejection cavity, undulating cavity. The ups and downs are the main creation of the "Liu pie" singing, including a variety of long cavities, sadness, and cavity.
In addition. Beijing rhyme drum with half to say half of the characteristics of singing. The rhyme white (including the rhyme within the rhythm of the eyebrows and the rhyme without the rhythm of the eyebrow) also occupies an important position in singing and is connected with the singing. The main accompaniment of the instrument for the third string and quadrudes, sometimes accompanied by pipa. The actor plays the rhythm from the drum plate. Traditional tracks are "single-pole", "war Changsha", "Bo Wang slope" and so on dozens of sections, as well as by Liu Baoquan, Bai Yunpeng and others sorted the "Nagasaka slope", "Baidicheng", " , "Fan Jinding curse city" and other dozens of paragraphs.